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How to Photograph Epic Wide-Angle Shots of Trees

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Behind the Scenes - The making of a Landscape Photograph. Every now and then, Laanscapes discusses how the scenes came into being. This blog is a chronicle of some of the best making-ofs.
 

How to Photograph Epic Wide-Angle Shots of Trees

Daniel Laan

Trees invoke a sense of timelessness; of grandeur. Most species grow many centuries older than a human ever will, so let’s make trees look the part with these tips on capturing them with a wide-angle lens for great effect.

Forest of Metaphors II

Pre-visualisation

So where does my idea of capturing trees from an extremely low angle come from? Well, I’ve just finished watching The Lord of the Rings for the 12th time, so those Ents probably exerted some influence on my creative process. But joking aside, I am definitely inspired by the cinematography of the late Andrew Lesnie, responsible for many of the atmospheric imagery found in the Peter Jackson trilogy. Then there’s Magic: The Gathering as well: a collecting card game set in a fantasy world, where you have to own lands like forests and mountains to fuel your magic as a player. The artwork displayed in these cards often boasts crazy perspectives and interesting points of view. These cards occasionally come with us on workshops into the darkest of forests before I tell students to get down on all fours and point the camera towards the forest canopy.

Image courtesy of Noah Bradley – © 2015 Wizards of the Coast.

Image courtesy of Noah Bradley – © 2015 Wizards of the Coast.

The Best Wood for the Job

Of course there’s the challenge of actually finding trees that complement the pre-visualisation step. I certainly prefer beeches because of their stature, potential age, and often ominous-looking branches. But the latter can also be photographed well if your subject is a gnarly oak. The broadleaf woodland is the area you’ll want to explore for this type of photography, but in some parts of the world, spectacular variations on the genre can be found. Think of the bristlecone pine in the Southwest of the US, for example. On a recent exploration in Glen Feshie, Scotland, I found the Caledonian Pine equally fit for the job. The specimen shown below rises from the edge of a fen in a dark mixed woodland. With the sun trying hard to shine through the rainclouds, the atmosphere was set.

“Monstrous Growth” – A Caledonian pine catching the morning rays in Cairngorms National Park.

“Monstrous Growth” – A Caledonian pine catching the morning rays in Cairngorms National Park.

Finding Epic Trees Online

Everything can be found online these days. Even the girth of trees around the globe. There’s this website with a huge database of the most stunning trees that are still around, called MonumentalTrees.com. At present, there are 28,597 trees documented, ranging from anything from a couple of meters to ~30 meters in circumference. The website features an interactive map, helping you explore the area digitally before heading out to the forest prepared.

Catch the Rays

The most ethereal atmospheres can be captured in just the right conditions. But did you know that it doesn’t even have to be misty to catch those mystical rays? ‘God rays’ (which are actually called crepuscular rays) can be found in the forest at very specific times, but it depends on the amount and height of the foliage blocking the sun. At about two hours after sunrise, when the sun barely rises above the shrubbery, the slightest amount of moisture from the night before gets burned off. That results in a fleeting moment of foggy conditions when you can photograph the elusive shafts of light punching through the leaves.

“Temperate Rainforest” – Ok, so this isn’t a wide-angle shot, but this illustrates the fleeting moment of crepuscular rays beaming through the canopy. Not 5 minutes later in this Swiss forest near “Wengen”, and the conditions were gone.

“Temperate Rainforest” – Ok, so this isn’t a wide-angle shot, but this illustrates the fleeting moment of crepuscular rays beaming through the canopy. Not 5 minutes later in this Swiss forest near “Wengen”, and the conditions were gone.

Go Low

There’s a whole set of challenges involved when you shoot trees with a frog’s perspective. My first advice is to get close enough to the tree, so that you’re barely able to focus at minimum focus distance. This really creates a distorted view, because objects like plants, roots and flowers in the immediate foreground can appear larger than the actual subject of the tree. The goal is to have an interesting foreground, with a bright background.

“Arboreverie” – A beech tree in “Speulderbos”, the Netherlands. Achieving accurate focus was quite challenging in this one.

“Arboreverie” – A beech tree in “Speulderbos”, the Netherlands. Achieving accurate focus was quite challenging in this one.

Focusing and Exposure

The first challenge is to get everything in sharp focus. The easiest option is to set the aperture on your wide-angle to f/22 while aiming for a third into the frame. But as diffraction at that aperture prevents you from getting sharp results, I want to stress that focus stacking is the best tool to get engaging images. In aperture priority mode, dial in an aperture of about f/6.3 and turn (yeah, manually) the focus ring all the way towards the minimum focus distance. Judge the exposure (darker is better), take note of the settings, and set the camera to manual mode at those settings. You can boost the ISO to counteract the swaying of leaves in the foreground (by introducing a faster shutter speed as a result). When the image is exposed correctly, you can then turn the focus ring further away and repeat. Do this 4 to 8 times, depending on the focal length of the lens you’re using. Diagonal fisheyes are done with 4 shots at f/6.3, while 30mm lenses benefit from an additional 4 exposures.

It took 9 shots to get the result displayed earlier. Because of the fern swaying in the wind in the foreground, I chose f/4 to give enough light to shorten the shutter speed.

It took 9 shots to get the result displayed earlier. Because of the fern swaying in the wind in the foreground, I chose f/4 to give enough light to shorten the shutter speed.

Reviewing

With your camera pointed upward, you can’t judge the image unless you either dig a hole to put your head in to be able to view the screen, or omit dirty hands and get a camera with a tilting screen. I use the Nikon D750 at the moment, but this camera only makes reviewing the image accessible when shooting a horizontal orientation. Quite often in vertical orientation images, I still guestimate the composition and start the focus stack after a quick look by turning the ballhead on the tripod, but leaving the legs in position.

Key points

Here’s my best advice for ethereal-looking pictures of trees.

  • A wide-angle lens works best when you get up-close and personal with your subject. Get low, close, and point up for dramatic impact.
  • Getting close involves challenging focusing situations. Learning to focus stack overcomes the limitations of technology and yields the sharpest results.
  • The best time to photograph is shortly after sunrise, when the sun climbs above the tree line and helps to dissipate moisture from the night before.
  • A camera with an articulating screen makes sure you don’t alter the composition between judging the exposure and the start of a focus stack.
  • Go ahead and explore MonumentalTrees.com to explore epic trees in your area.

Need help with post-processing? Check out the "Watch me Edit" series!

As originally appeared on NatureTTL